Friday, February 9, 2018

Biopolitics, from Michel Foucault

Michel Foucault on Biopower; note especially pp. 139-145

Right of Death and Power Over Life, from Michel Foucault, An Introduction to the History of Sexuality


.

In concrete terms, starting in the seventeenth century, this
power over life evolved in two basic forms; these forms were
not antithetical, however; they constituted rather two poles
of development linked together by a whole intermediary
cluster of relations. One of these poles-the first to be
formed, it seems--centered on the body as a machine: its
disciplining, the optimization of its capabilities, the extortion
of its forces, the parallel increase of its usefulness and its
docility, its integration into systems of efficient and economic
controls, all this was ensured by the procedures of power that
characterized the disciplines: an anatomo-politics of the
human body. The second, formed somewhat later, focused
on the species body, the body imbued with the mechanics of
life and serving as the basis of the biological processes: propa­
gation, births and mortality, the level of health, life expect­
ancy and longevity, with all the conditions that can cause
these to vary. Their supervision was effected through an
entire series of interventions and regulatory controls: a bio­
politics of the population. The disciplines of the body and the
regulations of the population constituted the two poles
around which the organization of power over life was de­
ployed. The setting up, in the course of the classical age, of
this great bipolar technology-anatomic and biological, in­
dividualizing and specifying, directed toward the perfor­
mances of the body, with attention to the processes of life­
characterized a power whose highest function was perhaps
no longer to kill, but to invest life through and through.
The old power of death that symbolized sovereign power

140 The History of Sexuality

was now carefully supplanted by the administration of bodies
and the calculated management of life. During the classical ..
period, there was a rapid development of various disciplines
-universities, secondary schools, barracks, workshops;
there was also the emergence, in the field of political prac­
tices and economic observation, of the problems of birthrate,
longevity, public health, housing, and migration. Hence
there was an explosion of numerous and diverse techniques
for achieving the SUbjugation of bodies and the control of
populations, marking the beginning of an era of "bio­
power." The two directions taken by its development still
appeared to be clearly separate in the eighteenth century.
With regard to discipline, this development was embodied in
institutions such as the army and the schools, and in reflec­
tions on tactics, apprenticeship, education, and the nature of
societies, ranging from the strictly military analyses of Mar­
shal de Saxe to the political reveries of Guibert or Servan. As
for population controls, one notes the emergence of demog­
raphy, the evaluation of the relationship between resources
and inhabitants, the constructing of tables analyzing wealth
and its circulation: the work of Quesnay, Moheau, and Sliss­
milch. The philosophy of the "Ideologists," as a theory of
ideas, signs, and the individual genesis of sensations, but also
a theory of the social composition of interests-Ideology
being a doctrine of apprenticeship, but also a doctrine of
contracts and the regulated formation of the social body­
no doubt constituted the abstract discourse in which one
sought to coordinate these two techniques of power in order
to construct a general theory of it. In point of fact, however,
they were not to be joined at the level of a speCUlative
discourse, but in the form of concrete arrangements (agence­
ments concrets) that would go to make up the great technol­
ogy of power in the nineteenth century: the deployment of
sexuality would be one of them, and one of the most impor­
tant.

This bio-power was without question an indispensable ele-

Right of Death and Power over Life 141

ment in the development of capitalism; the latter would not
, have been p0ssible without the controlled insertion of bodies
into the machinery of production and the adjustment of the
phenomena of population to economic processes. But this
was not all it required; it also needed the growth of both these
factors, their reinforcement as well as their availability and
docility; it had to have methods of power capable of optimiz­
ing forces, aptitudes, and life in general without at the same
time making them more difficult to govern. If the develop­
ment of the great instruments of the state, as institutions of
power, ensured the maintenance of production relations, the
rudiments of anatomo- and bio-politics, created in the eigh­
teenth century as techniques of power present at every level
of the social body and utilized by very diverse institutions
(the family and the army, schools and the police, individual
medicine and the administration of collectiv� bodies), ope­
rated in the sphere of economic processes, their development,
and the forces working to sustain them. They also acted as
factors of segregation and social hierarchization, exerting
their influence on the respective forces of both these move­
ments, guaranteeing relations of domination and effects of
hegemony. The adjustment of the accumulation of men to
that of capital, the joining of the growth of human groups to
the expansion of productive forces and the differential alloca­
tion of profit, were made possible in part by the exercise of
bio-power in its many forms and modes of application. The
investment of the body, its valorization, and the distributive
management of its forces were at the time indispensable.
One knows how many times the question has been raised
concerning the role of an ascetic morality in the first forma"
tion of capitalism; but what occurred in the eighteenth cen­
tury in some Western countries, an event bound up with the
development of capitalism, was a different phenomenon hav­
ing perhaps a wider impact than the new morality; this was
nothing less than the entry of life into history, that is, the
entry of phenomena peculiar to the life of the human species

142 The History of Sexuality

into the order of knowledge and power, into the sphere of ,
political techniques. It is not a question of claiming that this
was the moment when the first contact between life and
history was brought about. On the contrary, the pressure
exerted by the biological on the historical had remained very
strong for thousands of years; epidemics and famine were the
two great dramatic forms of this relationship that was always
dominated by the menace of death. But through a circular
process, the economic-and primarily agricultural--devel­
opment of the eighteenth century, and an increase in produc­
tivity and resources even more rapid than the demographic
growth it encouraged, allowed a measure of relief from these
profound threats: despite some renewed outbreaks, the pe­
riod of great ravages from starvation and plague had come
to a close before the French Revolution; death was ceasing
to torment life so directly. But at the same time, the develop­
ment of the different fields of knowledge concerned with life
in general, the improvement of agricultural techniques, and
the observations and measures relative to man's life and
survival contributed to this relaxation: a relative control over
life averted some of the imminent risks of death. In the space
for movement thus conquered, and broadening and organiz­
ing that space, methods of power and knowledge assumed
responsibility for the life processes and undertook to control
and modify them. Western man was gradually learning what
it meant to be a living species in a living world, to have a
body, conditions of existence, probabilities of life, an individ­
ual and collective welfare, forces that could be modified, and
a space in which they could be distributed in an optimal
manner. For the first time in history, no doubt, biological
existence was reflected in political existence; the fact of living
was no longer an inaccessible substrate that only emerged
from time to time, amid the randomness of death and its
fatality; part of it passed into knowledge's field of control and
power's sphere of intervention. Power would no longer be
dealing simply with legal subjects over whom the ultimate

Right of Death and Power over Life 143

dominion was death, but with living beings, and the mastery
it would be able to exercise over them would have to be
applied at the level of life itself; it was the taking charge of
life, more than the threat of death, that gave power its access
even to the body. If one can apply the term bio-history to the
pressures through which the movements of life and the proc­
esses of history interfere with one another, one would have
to speak of bio-power to designate what brought life and its
mechanisms into the realm of explicit calculations and made
knowledge-power an agent of transformation of human life.
It is not that life has been totally integrated into techniques
that govern and administer it; it constantly escapes them.
Outside the Western world, famine exists, on a greater scale
than ever; and the biological risks confronting the species are
perhaps greater, and certainly more serious, than before the
birth of microbiology. But what might be called a society's
"threshold of modernity" has been reached when the life of
the species is wagered on its own political strategies. For
millennia, man remained what he was for Aristotle: a living
animal with the additional capacity for a political existence;
modern man is an animal whose politics places his existence
as a living being in question.

This transformation had considerable consequences. It
would serve no purpose here to dwell on the rupture that
occurred then in the pattern of scientific discourse and on the
manner in which the twofold problematic of life and man
disrupted and redistributed the order of the classical epis­
teme. If the question of man was raised-insofar as he was
a specific living being, and specifically related to other living
beings-the reason for this is to be sought in the new mode
of relation between history and life: in this dual position of
life that placed it at the same time outside history, in its
biological environment, and inside human historicity, pene­
trated by the latter's techniques of knowledge and power.
There is no need either to lay further stress on the prolifera­
tion of political technologies that ensued, investing the body,

144 The History of Sexuality

health, modes of subsistence and habitation, living condi­
tions, the whole space of existence.

Another consequence of this development of bio-power
was the growing importance assumed by the action of the
norm, at the expense of the juridical system of the law. Law
cannot help but but be armed, and its arm, par excellence,
is death; to those who transgress it, it replies, at least as a last
resort, with that absolute menace. The law always refers to
the sword. But a power whose task is to take charge of life
needs continuous regulatory and corrective mechanisms. It
is no longer a matter of bringing death into play in the field
of sovereignty, but of distributing the living in the domain of
value and utility. Such a power has to qualify, measure,
appraise, and hierarchize, rather than display itself in its
murderous splendor; it does not have to draw the line that
separates the enemies of the sovereign from his obedient
subjects; it effects distributions around the norm. I do not
mean to say that the law fades into the background or that
the institutions of justice tend to disappear, but rather that
the law operates more and more as a norm, and that the
judicial institution is increasingly incorporated into a con­
tinuum of apparatuses (medical, administrative, and so on)
whose functions are for the most part regulatory. A normal­
izing society is the historical outcome of a technology of
power centered on life. We have entered a phase of juridical
regression in comparison with the pre-seventeenth-century
societies we are acquainted with; we should not be deceived
by all the Constitutions framed throughout the world since
the French Revolution, the Codes written and revised, a
whole continual and clamorous legislative activity: these
were the forms that made an essentially normalizing power
acceptable.

Moreover, against this power that was still new in the
nineteenth century, the forces that resisted relied for support
on the very thing it invested, that is, on life and man as a
living being. Since the last century, the great struggles that

Right of Death and Power .over Life 1 45

have challenged the general system of power were not guided
by the belief in a return to former rights, or by the age-old
dream of a cycle of time or a Golden Age. One no longer
aspired toward the coming of the emperor of the poor, or the
kingdom of the latter days, or even the restoration of our
imagined ancestral rights; what was demanded and what
served as an objective was life, understood as the basic needs,
man's concrete essence, the realization of his potential, a
plenitude of the possible. Whether or not it was Utopia that
was wanted is of little importance; what we have seen has
been a very real process of struggle; life as a political object
was in a sense taken at face value and turned back against
the system that was bent on controlling it. It was life more
than the law that becam,e the issue of political struggles, even
if the latter were formulated through affirmations concerning
rights. The "right" to life, to one's body, to health, to happi­
ness, to the satisfaction of needs, and beyond all the oppres­
sions or "alienations," the "right" to rediscover what one is
and all that one can be, this "right" -which the classical
juridical system was utterly incapable of comprehending­
was the political response to all these new procedures of
power which did not derive, either, from the traditional right

of sovereignty..

THe Carnivalesque and Grotesque Realism

"Celebrations of a carnival type represented a considerable part of the life of medieval
men, even in the time given over to them. Large medieval cities devoted an average of
three months a year to these festivities" (13).

"In grotesque realism... the bodily element is deeply positive. It is presented not in a private, egoistic form, severed from other spheres of life, but as something universal,
representing all the people. As such it is opposed to severance from the material and
bodily roots of the world; it makes no pretense to renunciation of the earthy, or
independence of the earth and the body. We repeat: the body and bodily life have here
a cosmic and at the same time an all-people's character; this is not the body and its
physiology in the modern sense of these words, because it is not individualized. The
material bodily principle is contained not in the biological individual, not in the
bourgeois ego, but in the people, a people who are continually growing and
renewed.... This exaggeration has a positive, assertive character. The leading themes
of these images of bodily life are fertility, growth, and a brimming-over abundance.
Manifestations of this life refer not to the isolated biological individual, not to the
private, egotistic 'economic man,' but to the collective ancestral body of all the
people" (19).

"To degrade also means to concern oneself with the lower stratum of the body, the life
of the belly and the reproductive organs; it therefore relates to acts of defecation and
copulation, conception, pregnancy, and birth. Degradation digs a bodily grave for a
new birth; it has not only a destructive, negative aspect, but also a regenerating one....
Grotesque realism knows no other level; it is the fruitful earth and the womb. It is
always conceiving" (21).

"Contrary to modern canons, the grotesque body is not separated from the rest of the
world. It is not a closed, completed unit; it is unfinished, outgrows itself, transgresses
its own limits. The stress is laid on those parts of the body that are open to the outside
world, that is, the parts through the world enters the body or emerges from it, or
through which the body itself goes out to meet the world. This means that the
emphasis is on the apertures or convexities, or on various ramifications and offshoots:
the open mouth, the genital organs, the breasts, the phallus, the potbelly, the nose.

The body discloses its essence as a principle of growth which exceeds its own limits only
in copulation, pregnancy, childbirth, the throes of death, eating, drinking, or
defecation. This is the ever unfinished, ever creating body, the link in the chain of
genetic development, or more correctly speaking, two links shown at the point where
they enter into each other. This especially strikes the eye in archaic grotesque" (26).
Such grotesque figures are found "in the frescoes and bas-reliefs which adorned the
cathedrals and even village churches of the 12th and 13th centuries....

.....

"It is quite obvious that from the point of view of these canons the body of grotesque
realism was hideous and formless. It did not fit the framework of the 'aesthetics of the
beautiful' as conceived by the Renaissance" (29; see Castiglione, The Book of the Courtier for a widely known renaissance expression of that official aesthetics, which
was essentially the neoplatonic aesthetics of renaissance humanism. Barrie).

"Even more important is the theme of the mask, the most complex theme of folk
culture. The mask is connected with the joy of change and reincarnation, with gay
relativity and with the merry negation of uniformity and similarity; it rejects
conformity to oneself. The mask is related to transition, metamorphoses, the violation
of natural boundaries, to mockery and familiar nicknames. It contains the playful
element of life; it is based on a peculiar interrelation of reality and image,
characteristic of the most ancient rituals and spectacles" (40).

"...in the parodical legends and the fabliaux the devil is the gay ambivalent figure
expressing the unofficial point of view, the material bodily stratum. There is nothing
terrifying or alien in him" (41).

"Fear is the extreme expression of narrow-minded and stupid seriousness, which is
defeated by laughter.... Complete liberty is possible only in the completely fearless
world."

On laughter--note the lower or outside-the-official order aspect of laughter.  Laughter comes from the lower, from the low-down lowdown, from the body.  And it's about the body, in a certain way reclaims the body from the definitions set up by the authorities--religion and Church, the higher-orders and their politics. 

It's earthy and it's unruly and it mocks the dominant social norms and images that pretend to "higher" things..

"The essence of the grotesque is precisely to present a contradictory and double-faced
fullness of life. Negation and destruction (death of the old) are included as an
essential phase, inseparable from affirmation, from the birth of something new and
better. The very material bodily lower stratum of the grotesque image (food, wine, the
genital force, the organs of the body) bears a deeply positive character. This principle
is victorious, for the final result is always abundance, increase" (62).

"Let us stress once more that for the Renaissance (as for the antique sources described
above) the characteristic trait of laughter was precisely the recognition of its positive,
regenerating, creative meaning. This clearly distinguishes it from the later theories of
the philosophy of laughter, including Bergson's conception, which bring out mostly its
negative functions" (71).

"In the Middle Ages folk humor existed and developed outside the official sphere of
high ideology and literature, but precisely because of its unofficial existence, it was
marked by exceptional radicalism, freedom, and ruthlessness. Having on the one hand
forbidden laughter in every official sphere of life and ideology, the Middle Ages on
the other hand betwowed exceptional priviledges of license and lawlessness outside
these spheres: in the marketplace, on feast days, in festive recreational literature. And
medieval laughter knew how to use these widely" (72).

Sunday, October 18, 2015

One historical generalization about 1990s Japan



"In the case of Japan, the 1990s witnessed a multiple breakdown of political, economic, and sociocultural orders and induced a visible shift in the mood of society reflecting an end to the glorious age of Japanese economic success on the global stage. The decade saw a burgeoning political instability, the Heisei depression and financial crisis, and the so-called burst of the bubble economy, developed in the midst of the dramatic international geopolitical restructur- ing that followed the end of the Cold War. "


Source: Iida page3image960Japanese Identity and the Crisis of Modernity in the 1990s 425

Further terms for Manga and Graphic Novels

https://voicesinhistory.wikispaces.com/file/view/Graphic_Novel_Vocabulary.pdf